Jake Stratton-Kent gently but decidedly brushes away the naive hope of offering the reader any sort of definite pathway, absolute truth or sanctified orthopraxy; instead, his book aims to create just about sufficient orientation points – as well as lazy readers’ trapdoors, one should add – so that each one of us can create, correct or continue to ruin their own ritualistic path.

Rosicrucian Magic raises the question of what kind of balance must be struck in both the practice and the study of esotericism in general. Acher’s answer is in a phenomenological understanding of the Rosicrucian experience, of the initiatic moment, with all its intentionality, temporality, and intersubjectivity, we might well find a sympathetic understanding – the internal connections the modern initiate is attempting to achieve.

Stranger in the Mask of a Deer is, perhaps, the single most impactful sequence of thematically-linked poetry to have been written in the spirit and celebration of a pure and unadulterated paganism that I have encountered; one that combines its sinuous diction with an essential and ageless metaphysics.

Upon closing the book, it is good to know that this book will not remain closed. It is reassuring to know this book has come into the world. Mercer has composed not only an elegant but also a very practical and useful handbook for the entire use and mysteries of the Armanen futhark.

Black Easter is a firework of a short novel, shooting out into the dark sky of black magic. The kind of magic that does not aspire to work in service, and that values the short, sharp, spicy taste of exoticism over the genuine discovery of what lies beyond ourselves. Depending on how we like to approach this small book, it can either make for an entertaining read of noir-fantasy or, alternatively, for a thought-provoking parable on modern-day magic.

Frater Acher and José Gabriel Alegría Sabogal present us with […] a guide and a glossary diffracted through the prism of personal ritual practice, historical research, and painstakingly intimate relationships with spirits. 

The Tree of Gnosis does not only present a masterful investigation into the complex history of Gnosticism – the book introduces us to a broader, much more challenging vista from where we can see ourselves, that what is truly at stake here is no longer Gnosticism, but “the meaning of history itself.”

This volume deals with “land spirits”, those entities and spirits of place which the Christian church referred to as “demons”. […] Approaching this book with an open mind is wise, because you may be surprised where it takes you, regardless of practice. Furthermore, it serves as a great introduction to Lecouteux’s work and jumping-off point to the other books Inner Traditions have translated, and provides really nice access to non-Anglocentric scholarship.

Kirfel’s route through religious iconographies covers an unparalleled wide range of topics. The book explores the iconographic theme of a three-headed deity that spans across several cultures and eras. It discusses the notion that this was a transcultural pattern shared by Indo-European cultures spanning from India throughout pagan antiquity.

A meticulous study of this book will most likely feel like a daydream transporting the reader to the ancient world of the Mysteries and their gods initiated by Adams’s eloquent writing and personal insights supported by beautiful images of the frescoes of the Villa of the Mysteries and other ancient iconographies and artifacts. The functional combination of text and imagery is what makes Mystai such a potent and inspiring book.

[…]. This interpretation and connection of “Marah” with the topics of sex/birth, death and female/feminine is illustrated with an expressive artwork on the front cover by Alba Margarita which is a very good choice as it seems to me to also relate well to this first volume’s title of ‘Bitterness’ – even though I doubt whether it was the publisher’s intent to set the stage for the stereotype of the ‘bitter woman’.

Tarot, the beautiful first volume in Taschen’s Library of Esoterica series, sets out to make a world-class collection with an unlimited budget and reach, and it succeeds in this goal. It presents several examples from each of the earliest decks, followed by modern decks grouped by card.

Tarot Skills for the 21st Century: Mundane and Magical Divination by Josephine McCarthy is, at present, peerless. It stands out from the pack and is a necessary addition to the contemporary tarot library. When one of the most incredible and prolific occultists of our time, one with over 45 years of tarot reading experience, publishes a book on the tarot, you sit up and you pay attention.

This book is such a great “take-no-bullshit” approach to magic, and in addition it gives so many great tools for establishing “inner world” and “outer world” contacts […]. And this is another astounding facet of The Magical Knowledge Trilogy: it is a book that wants you to disagree with it here and there, so you can chisel out your uniqueness more and more precisely as you advance through the lessons and suggestions presented abundantly here.  

[…] Essays in the collection address an array of contemporary crisis situations and calamities and correlate their impact and meaning with the symbol of the fallen Tower. The opinions are diverse and the views often verge on disturbing: there is certainly nothing in the book that would be acceptable to everyone, and that is as it should be. The overall message is however clear: it’s the end of the world as we know it, whether we like it or not.

[…] In addition to the bibliophilia edging into bibliomania, Trithemius’s other interests included cryptography, talking to angels, rummaging through grimoires, reforming the church and education, and social climbing. Like many of the Humanists and magi before and after him, he “desired to know all that could be known.”

Becoming an instant classic when the English translation was released in 1990, Practical Sigil Magic: Creating Personal Symbols for Success by Frater U∴D∴ remains the most accessible and, yet, the most thoughtful work on the subject.

The Planets Within is a book relevant for anyone interested in astrology, psychology and Renaissance magic. It is a book that gives a great idea of how the Renaissance magus thought about the world and how all things were connected for these practitioners of the art who impacted modern occultism in the form of Hermetica, the making of talismans and traditional astrology.

Stavish goes one better than most books on occult history: with each chapter he provides a list of supporting texts – both scholarly and etic as well as experiential and emic. His pedagogical style is admirable. He presents each chapter’s material, then a summary of key points and books to consult. And more. The genius of this text is in the more.

I’ve been reading this book for a couple of weeks now, like any collection of poems; it’s quite an intense journey and best accomplished in manageable sections. […] Maybe it’s my imagination but it does read like a continuous narrative, I’m guessing its talented author intended it so. It feels like being a fly on the wall in the author’s magical playroom or reading the record that magicians often keep.